FORTHCOMING Spring 2025
Janky materiality works by not working. It is the spirit in the machine, the ghost in language, the provisional operation. It is a musicological poetics run through a patchwork apparatus. Janky Materiality: Artifice & Interface is a transdisciplinary performative critical investigation of analog–digital interface and materiality, language-oriented poetry and digital language art, experimental electronic music[…]
FORTHCOMING Autumn 2024
What happens when we take the joke of “lesbian processing” seriously as a research method? Heavy Processing does just this, by tracing the multi-directional genealogies and vast affinities of processing-heavy methods as innovations in information technologies (operating systems, central processing units, network designs). Part methods handbook, manifesto, and survival guide, this book opens up the[…]
Published: 03/02/2023
Before the company OpenAI publicly released their ChatGPT chatbot in November 2022, Robert Leib had been a tester in OpenAI’s beta playground for GPT-3, a powerful Natural Language Processing (NLP) engine — a chatbot, or artificial intelligence. Exoanthropology: Dialogues with AI is a series of dialogues between Leib, a continental philosopher, and GPT-3’s hive mind[…]
Imprint: Dead Letter Office
Published: 12/15/2021
When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to release[…]
Published: 06/24/2021
WINNER of the American Studies Association’s 2021 Garfinkel Prize in the Digital Humanities ~~~ In Silencing the Past: Power and the Production of History, Michel-Rolph Trouillot writes that by examining the process of history we can “discover the differential exercise of power that makes some narratives possible and silences others.” Alternative Historiographies of the Digital[…]
Published: 11/06/2018
All too often, defining a discipline becomes more an exercise of exclusion than inclusion. Disrupting the Digital Humanities seeks to rethink how we map disciplinary terrain by directly confronting the gatekeeping impulse of many other so-called field-defining collections. What is most beautiful about the work of the Digital Humanities is exactly the fact that it[…]
Published: 03/03/2016
In her first inquiry toward a decelerationist aesthetics, Katherine Behar explores in this essay chapbook the rise of two “big deal” contemporary phenomena, big data and obesity. In both, scale rearticulates the human as a diffuse informational pattern, causing important shifts in political form as well as aesthetic form. Bigness redraws relationships between the singular[…]
Published: 12/07/2015
This book, translated for the first time from Italian into English, offers a critical introduction to the core technologies underlying the Internet from a humanistic perspective. It provides a cultural critique of computing technologies, by exploring the history of computing and examining issues related to writing, representing, archiving and searching. The book raises awareness of,[…]