Imprint: Dead Letter Office
Published: 07/22/2021
Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson’s iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invites us to imagine the stone helix of his structure at various orders of[…]
Imprint: Dead Letter Office
Published: 02/13/2019
In an increasingly technologized and connected world, it seems as if noise must be increasing. Noise, however, is a complicated term with a complicated history. Noise can be traced through structures of power, theories of knowledge, communication, and scientific practice, as well as through questions of art, sound, and music. Thus, rather than assume that[…]
Published: 11/19/2018
1883. Jean-Pierre Brisset realizes that a close phonological analysis of spoken words will demonstrate that the French language, and therefore the human species, was evolved from frogs. 1896. Consulted as an expert in linguistics and comparative philology, Ferdinand de Saussure reports that the passages of Martian Language transcribed during the “sonambulistic glossolalias” of one (pseudonymously[…]
Published: 05/04/2017
Who speaks when you speak? Who writes when you write? Is it “you”—is it the “I” that you think you are? Or are we the chance inheritors of an invasive, exterior parasite—a parasite that calls itself “Being” or “Language?” If our sense of self is best defined on the basis of an exterior, parasitical force[…]
Published: 09/23/2015
mythomaniaS is a catalog of case studies in the form of film stills, architectural fragments, stage props, texts, and images culled from the experiments of MindMachineMakingMyths (Lab M4, part of the New Territories architecture studio), a collaboration begun in 2012 between Camille Lacadee and François Roche to construct environmental-architectural psycho-scapes (in the partly fabricated wilds[…]