Imprint: Dead Letter Office
Published: 09/22/2018
Nothing in MoMA is a series of photographs captured in areas of Manhattan museums in which there are no artworks, written words, or people. Addressing the “grammar that organizes and secures our scene of looking,” in the words of art historian David Joselit’s introduction, the book imagines a composite empty museum or a narrative of[…]
Published: 01/19/2019
Finding Room in Beirut: Places of the Everyday demonstrates why it is worth our while to explore the value and contemporary meaning of urban areas about to undergo complete renewal. Branching off from discourses surrounding the terrain vague, the book argues that large populated urban areas meet the criteria of the vague and constitute a[…]
Published: 01/23/2019
Some photographers take pictures of cities that show no humans and the fact that none appear is somehow meaningful. But I have no interest in this kind of expression—the meaning that a desolate city suggests. I have no interest in photos that imply something. The possibility of the photograph that doesn’t imply anything, cut off[…]
Imprint: tiny collections
Published: 11/28/2016
The marauder’s fragment … positions itself in the prism between futility, annihilation, and playful diversion. And still, it is here that we find the last chance for a world. The things sought after here are apparitional: they appear and disappear at will; they perfect the art of materialization and vanishing. Such is the nature of living dangerously, and with it the[…]
Imprint: tiny collections
Published: 06/17/2016
This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and[…]
Published: 10/31/2016
It’s easy to forget there’s a war on when the front line is everywhere encrypted in plain sight. Gathered in this book’s several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as Hilla Becher, Don McCullin and Eadweard Muybridge exist only insofar as[…]
Imprint: CTM Documents Initiative
Published: 07/01/2015
We no longer live in the society of the spectacle, passively seeing the world. Now we perform our very own spectacle in a society that demands it at every turn. We’ve become advertisements of ourselves, our own PR agents, continually putting on a performance and measuring it hour by hour. This is no longer the society[…]
Imprint: Dead Letter Office
Published: 02/08/2015
[Given, If, Then] attempts to conceive a possibility of reading, through a set of readings: reading being understood as the relation to an Other that occurs prior to any semantic or formal identification, and, therefore, prior to any attempt at assimilating, or appropriating, what is being read to the one who reads. As such, it[…]