Imprint: Uitgeverij
Published: 06/17/2016
To Be, or Not to Be: Paraphrased is an expanding deconstruction of Hamlet’s famous existential question, achieved by putting the line through paraphrasing software 50 times. With each permutation, the quotation grows longer and its meaning is distorted, causing the question to question its own existence by acting as a faulty self-replicator, a nonsensical self-affirmation that[…]
Imprint: tiny collections
Published: 06/17/2016
This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and[…]
Published: 02/24/2017
How to be philosophical, how to be good and ethical and interconnected. How to be responsible, how to be free. Through his intrepid hybrid of critical essay, poetry, and memoir, Jeremy Bendik-Keymer has plumbed every part of himself to answer these questions. The result, Solar Calendar, is a truly holistic work, suffused with intelligence, honesty, beauty, and care.
~Alex Shakar, author of Luminarium
Published: 11/07/2015
Go Here for Accompanying CD by Cave Bacchus (Joseph Nechvatal, Black Sifichi & Rhys Chatham)! Joseph Nechvatal’s epic passion poem, Destroyer of Naivetés, takes up a position of excess from within a society that believes that the less you conceal, the stranger you become. We live and love in a culture where surveillance/intrusion is tied[…]
Imprint: eth press
Published: 02/15/2015
“Mais où sont les neiges d’antan?” François Villon’s most famous line is a kind of translation, a variation of the old “ubi sunt” trope: Where are the things that used to be? But Villon specifically asks: Where are the snows? Even in the thick of a snowy winter, this snow is not the same as[…]
Imprint: Dead Letter Office
Published: 12/28/2014
In I Open Fire, translated from Polish into English, David Pol presents an ontology of war in the form of the lyric poem. “Do you hear what I’m shooting at you?” In I Open Fire, all relation is warfare. Minefields compromise movement. Intention aims. Touch burns. Sex explodes bodies. Time ticks in bomb countdowns. Sound[…]
Imprint: Peanut Books
Published: 12/10/2014
ACTION — as in begin, genesis, motion — is a collection of poems ultimately concerned with form, those lines drawn in the sand that give way to the profanity of the holy, the holiness of the profane. Throughout ACTION, Opal engages the constraints inherent to seemingly fixed forms. From living with rheumatoid arthritis, to feeling[…]
Imprint: Dead Letter Office
Published: 01/26/2015
Read a review of Escargotesque in Digital America HERE. “Experience” is a concept paradoxically deployed to accentuate the aconceptual. Although thinking, knowing, reflecting, and analyzing are kinds of experiences, invocations of “experience” typically direct our attention to what is immediate, embodied, unrepresented, unthought, even unthinkable. And yet, whether by learning experience, traumatic experience, life experience,[…]