Imprint: Dead Letter Office
Published: 04/06/2023
Why write? Why ask a reader to give their time and attention to your words? How can writing be more than narcissism and self-aggrandizement? These questions were ones that the writer and naturalist Barry Lopez asked at the Bread Loaf Writers’ Conference in the summer of 2000, and they are questions at the heart of[…]
Published: 09/22/2022
The Dark Posthuman: Dehumanization, Technology, and the Atlantic World explores how liberal humanism first enlivened, racialized, and gendered global cartographies, and how memory, ancestry, expression, and other aspects of social identity founded in its theories and practices made for the advent of the category of the posthuman through the dimensions of cultural, geographic, political, social,[…]
Published: 11/18/2022
This book of poems about fake news written by diverse project participants is foremost an invitation and invocation for readers to participate, with others, in an experiment in knowing and working differently with the internet: Fake News Poetry Workshops. Between 2018 and 2020, Alexandra Juhasz directed more than twenty of these workshops around the world,[…]
Published: 09/01/2022
During the Paris pandemic confinement period of 2020, with the dread of viral death in the air, artist Joseph Nechvatal finished his second book of poetry, titled Styling Sagaciousness: Oh Great No! The mythopoeic mélange of Styling Sagaciousness is intended as a complicated forensic fairy-tale, suitable for Nô theater, which keeps slipping in and out[…]
Published: 03/02/2023
Before the company OpenAI publicly released their ChatGPT chatbot in November 2022, Robert Leib had been a tester in OpenAI’s beta playground for GPT-3, a powerful Natural Language Processing (NLP) engine—a chatbot, or artificial intelligence. Exoanthropology: Dialogues with AI is a series of dialogues between Leib, a continental philosopher, and GPT-3’s hive mind that identifies[…]
Imprint: Risking Education
Published: 06/30/2022
Nothing As We Need It: A Chimera imagines and writes a composite and impure form of criticism that embodies the writing of research as recursive, entangled, and many-voiced. Shaped by encounters with literature not translated in English, by the polyphonies, artifices, and concealments of a bilingual self, and by the sense of speechlessness and haunting[…]
Imprint: Dead Letter Office
Published: 10/13/2022
Blending literary analysis and memoir, Something More Splendid Than Two is at once an excavation of intergenerational wounds, a dance number, a poem, and a fraught love letter from son to father that disrupts the dominant narratives surrounding the life and myth of Joaquín Murrieta. In the Mexican American imaginary, the legend of Joaquín Murrieta[…]
Imprint: Dead Letter Office
Published: 07/14/2022
We are all perpetually holding ourselves together. Our breath, our blood, our food, our spit, our shit, our thoughts, our attention—all tightly held, all the time. Then at death we let it all out, oozing at once into the earth and gasping at last into the ether. The physical body has often been seen as[…]