Everyday Cinema: The Films of Marc Lafia

Published: 01/31/2017

Everyday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life; Paradise; Hi, How Are You Guest 10497; and 27)  Lafia probes what it is to construct an image, to forge systems of representation, to[…]

Christina McPhee: A Commonplace Book

Published: 10/17/2017

Let us take down one of those old notebooks which we have all, at one time or another, had a passion for beginning. Most of the pages are blank, it is true; but at the beginning we shall find a certain number very beautifully covered with a strikingly legible handwriting….here we have copied out fine[…]

Helvete 3: Bleeding Black Noise

Imprint:

Published: 12/14/2016

Not to be confused with metal studies, music criticism, ethnography, or sociology, Helvete: A Journal of Black Metal Theory is a speculative and creative endeavor, one which seeks ways of thinking that count as Black Metal events — and indeed, to see how Black Metal might count as thinking. Theory of Black Metal, and Black[…]

Elemental Disappearances

Imprint:

Published: 11/28/2016

The marauder’s fragment … positions itself in the prism between futility, annihilation, and playful diversion. And still, it is here that we find the last chance for a world. The things sought after here are apparitional: they appear and disappear at will; they perfect the art of materialization and vanishing. Such is the nature of living dangerously, and with it the[…]

Walk on the Beach: Things from the Sea, Volume 1

Imprint:

Published: 06/17/2016

This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and[…]

The Retro-Futurism of Cuteness

Published: 11/04/2017

Is it possible to conceive of a Hello Kitty Middle Ages or a Tickle Me Elmo Renaissance? The Oxford English Dictionary dates the first reference to “cute” in the sense of “attractive, pretty, charming” to 1834. More recently, Sianne Ngai has offered a critical overview of the cuteness of the twentieth-century avant-garde within the context[…]

Photography in the Middle: Dispatches on Media Ecologies and Aesthetics

Published: 10/31/2016

It’s easy to forget there’s a war on when the front line is everywhere encrypted in plain sight. Gathered in this book’s several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as Hilla Becher, Don McCullin and Eadweard Muybridge exist only insofar as[…]