Imprint: Uitgeverij
FORTHCOMING Fall 2023
This volume gathers Alessandro De Francesco’s essays and theoretical writings produced from 2015 to 2022. It follows the first volume Continuum: Writings on Poetry as Artistic Practice, reuniting essays written between 2007 and 2015. The title of this new volume could only be Continuum 2, given that the underlying concept remains the same: to testify[…]
Imprint: Uitgeverij
Published: 09/02/2021
((( is conceived of not only as a poetry collection and an artist book, but also as a series of actions, a sculpture, an installation, a living object, and a verbal ecosystem. The poetic voyage of (((, recounted in a concrete yet mysterious, abstract yet bodily language, is proposed here in a trilingual English–Italian–French edition.[…]
Imprint: Dead Letter Office
Published: 07/22/2021
Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson’s iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invites us to imagine the stone helix of his structure at various orders of[…]
Imprint: Department of Eagles
Published: 01/27/2022
Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of[…]
Published: 09/10/2020
A full-color print version of Complementary Modernisms in China and the United States: Art as Life/Art as Idea is also available on Amazon. Complementary Modernisms in China and the United States: Art as Life/Art as Idea is the result of a conference where Chinese and Americanist art historians addressed the development of modernism in their[…]
Imprint: Brainstorm Books
Published: 09/04/2018
Hack The Experience will reframe your perspective on how your audience engages your work. This will happen as you learn how to control attention through spatial and time-based techniques that you can harness as you build immersive installations or as you think about how to best arrange your work in an exhibition. You’ll learn things[…]