Published: 09/16/2021
Follow for Now, Vol. 2 picks up and pushes beyond the first volume with a more diverse set of interviews. The intent of the first collection was to bring together voices from across disciplines, to cross-pollinate ideas. At the time, social media wasn’t crisscrossing all of the lines and certain categories held a bit more[…]
Published: 06/17/2021
Cinema’s Doppelgängers is a counterfactual history of the cinema — or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bolsheviks nor the[…]
Published: 05/21/2020
Slime, goo, gunge, gloop, gels, sols, globules, jellies, emulsions, greases, soaps, syrups, glues, lubricants, liquid crystals, moulds, plasmas, and protoplasms – the viscous is not one thing, but rather a quality of resistance and flow, of stickiness and slipperiness. It is a state of matter that oozes into the gaps of our everyday existence, across[…]
Published: 02/11/2020
Speechsong is a work of imaginative musicology that addresses the engimas of Schoenberg and Gould, of singing and speaking, of Moses und Aron, of technology and being. Its point of departure is Gould’s last public performance, given at the Wilshire Ebell Theatre in Los Angeles, where a number of Schoenberg’s works were performed during his[…]
Published: 07/20/2019
Moonbit is a hybrid work comprised of experimental poetry and a critical theory of the poetics and politics of computer code. It offers an extended intellectual and creative engagement with the affordances of computer software through multiple readings and re-writings of a singular text, the source code of the Apollo 11 Guidance Computer or the[…]
Published: 01/23/2019
Some photographers take pictures of cities that show no humans and the fact that none appear is somehow meaningful. But I have no interest in this kind of expression—the meaning that a desolate city suggests. I have no interest in photos that imply something. The possibility of the photograph that doesn’t imply anything, cut off[…]
Imprint: Dead Letter Office
Published: 03/15/2018
Tar for Mortar offers an in-depth exploration of one of literature’s greatest tricksters, Jorge Luis Borges. His short story “The Library of Babel” is a signature examplar of this playfulness, though not merely for the inverted world it imagines, where a library thought to contain all possible permutations of all letters and words and books is plumbed[…]
Published: 12/13/2019
Hephaestus Reloaded / Efesto Reloaded, presented in a bilingual (English/Italian) publication, and whose five authors are from Greece, Italy, and the US, invokes as its first inspiration the myth of Hephaestus who embodied a twofold entity: both disabled and technically capacious. The myth of Hephaestus has been passed across the centuries as an ancient metaphor[…]