Imprint: Uitgeverij
Published: 06/23/2022
Turkish Voices, written during 1989/90, is initially based on the Second New Turkish poet Cemal Süreya’s first book of poetry, Üvercinka (Pigeon English), which he wrote during the 1950s, in his twenties. In this book, striking erotic passages of uncanny psychological insight, where a nexus between pleasure and power is revealed through the lyric persona[…]
Imprint: Advanced Methods
Published: 09/15/2022
What does it mean to “speak for the social” in projects of technical and infrastructural change? This is the problem that the contributors to Speaking for the Social: A Catalogue of Methods set out to explore through a series of creative interventions that reimagine the role for qualitative social science in understanding and shaping design[…]
Imprint: Dead Letter Office
Published: 06/02/2022
In the face of rising authoritarianism and on the heels of urgent struggle, autonomy calls to us. How might we excavate the theory and history of autonomous politics to arrive at new possibilities for radical democracy and the radical imaginary? How can we rethink the ways in which artistic autonomy is theorized and practiced beyond[…]
Published: 07/28/2022
Works for Works, Book 1: Useless Beauty tackles “legacy” issues of intellectual property rights (IPR) in artistic production and academic scholarship and proposes a category or class of works that has no relation to IPR nor to proprietary regimes of copyright and academic privilege. Keeney’s book is a structuralist argument for establishing new forms of[…]
Published: 06/17/2021
Cinema’s Doppelgängers is a counterfactual history of the cinema — or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bolsheviks nor the[…]
Imprint: Department of Eagles
Published: 01/27/2022
Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of[…]
Imprint: Lamma
Published: 07/21/2020
Lamma aims to provide a forum for critically understanding the complex ideas, values, social configurations, histories, and material realities in Libya. Recognizing, and insisting on, the urgent need for such a forum, we give attention to a wide a range of disciplines, sources, and approaches, foregrounding especially those which have previously received less scholarly attention.[…]
Published: 03/04/2021
Anonymity is highly contested, marking the limits of civil liberties and legality. Digital technologies of communication, identification, and surveillance put anonymity to the test. They challenge how anonymity can be achieved, and dismantled. Everyday digital practices and claims for transparency shape the ways in which anonymity is desired, done, and undone. The Book of Anonymity[…]