Imprint: Uitgeverij
Published: 09/02/2021
((( is conceived of not only as a poetry collection and an artist book, but also as a series of actions, a sculpture, an installation, a living object, and a verbal ecosystem. The poetic voyage of (((, recounted in a concrete if mysteriously abstract, yet bodily language, is presented here in a trilingual English–Italian–French edition.[…]
Published: 03/03/2022
Queer and Bookish: Eve Kosofksy Sedgwick as Book Artist represents the first booklength study to explore the intersections of Sedgwick’s critical writing, poetry, and most importantly, book art, making the case that her art criticism, especially her meditations on domestic and nineteenth-century photography, and “artist’s book” projects are as formally complex and brilliant, conceptually significant[…]
Imprint: Dead Letter Office
Published: 07/22/2021
Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson’s iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invited us to imagine the stone helix of his structure at various orders of[…]
Imprint: Advanced Methods
Published: 08/05/2021
Working from a speculative, more-than-human ontological position, Inefficient Mapping: A Protocol for Attuning to Phenomena presents a new, experimental cartographic practice and non-representational methodological protocol that attunes to the subaltern genealogies of sites and places, proposing a wayfaring practice for traversing the land founded on an ethics of care. As a methodological protocol, inefficient mapping[…]
Published: 05/13/2021
Over the past ten years, the journal Organs Everywhere (Œ) has promoted conversations that approach architectural design from the edges of the discipline—testing its boundaries, technologies, methods and (e)valuation systems, and keeping them unstable. It has valued transdisciplinary, speculative, and irreverent explorations over strict publishing formats and academic purity, promoting a profanatory and open-ended ethos.[…]
Imprint: tiny collections
Published: 08/27/2021
No one thinks straight. At least no one remembers straight. But ten years ago, things were different, weren’t they? Roland Barthes once wrote that color in a photograph is like make-up on a corpse. No one is fooled. In anarchic denial of convenient truths, a young international couple meet and marry on a small Mediterranean[…]
Imprint: Department of Eagles
Published: 01/27/2022
Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by an extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political[…]
Published: 05/06/2021
Siting Futurity: The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to engage their presents, and to help make possible more[…]