Disturbing Times: Medieval Pasts, Reimagined Futures
- Edited by Catherine E. Karkov, Anna Kłosowska, Vincent W.J. van Gerven Oei
Published on June 4, 2020 by punctum books
- Pages
- 384 pages
- Languages
- English
- Dimensions
- 5⤫8 in.
- ISBN (Paperback)
- ISBN: 978-1-950192-75-5 (Paperback)
- ISBN (PDF)
- ISBN: 978-1-950192-76-2 (PDF)
- LCCN
- LCCN: 2020934654
- BISAC subject codes
- BISAC: HIS037010, SOC056000
- Thema subject codes
- THEMA: NHDJ, NHHA, NHTQ
From Kehinde Wiley to W.E.B. Du Bois, from Nubia to Cuba, Willie Doherty’s terror in ancient landscapes to the violence of institutional Neo-Gothic, Reagan’s AIDS policies to Beowulf fanfiction, this richly diverse volume brings together art historians and literature scholars to articulate a more inclusive, intersectional medieval studies. It will be of interest to students working on the diaspora and migration, white settler colonialism and pogroms, Indigenous studies and decolonial methodology, slavery, genocide, and culturecide. The authors confront the often disturbing legacies of medieval studies and its current failures to own up to those, and also analyze fascist, nationalist, colonialist, anti-Semitic, and other ideologies to which the medieval has been and is yoked, collectively formulating concrete ethical choices and aims for future research and teaching.
In the face of rising global fascism and related ideological mobilizations, contemporary and past, and of cultural heritage and history as weapons of symbolic and physical oppression, this volume’s chapters on Byzantium, Medieval Nubia, Old English, Hebrew, Old French, Occitan, and American and European medievalisms examine how educational institutions, museums, universities, and individuals are shaped by ethics and various ideologies in research, collecting, and teaching.
Contents
Frontmatter (1–13)
Vincent W.J. van Gerven Oei, Anna Kłosowska, Catherine E. Karkov
Disturbance (15–28)
Catherine E. Karkov, Anna Kłosowska, Vincent W.J. van Gerven Oei
Scholarship as Biography: An Allegorical Reading of the Philological Work of G.M. Browne (29–71)
Vincent W.J. van Gerven Oei
“Semper Novi Quid ex Africa”: Redrawing the Borders of Medieval African Art and Considering Its Implications for Medieval Studies (73–106)
Andrea Myers Achi, Seeta Chaganti
Disorienting Hebrew Book Collecting (107–150)
Eva Frojmovic
The Etymology of "Slave" (151–214)
Anna Kłosowska
The Exiles of Byzantium: Form, Historiography, and Recuperation (215–245)
Roland Betancourt
Confederate Gothic (247–284)
Joshua Davies
“Die, defenceless, primitive natives!”: Colonialism, Gender, and Militarism in "The Legacy of Heorot" (285–315)
Alison Elizabeth Killilea
Twenty-five Years of “Anglo-Saxon Studies”: Looking Back, Looking Forward (317–350)
Catherine A.M. Clarke, Adam Miyashiro, Megan Cavell, Daniel Thomas, Stewart Brookes, Diane Watt, Jennifer Neville
The Medieval Literature Survey Reimagined: Intersectional and Inclusive Praxis in a US College Classroom (351–379)
Carla María Thomas
Biographies
Catherine E. Karkov is Professor of Art History in the School of Fine Art, History of Art, and Cultural Studies at the University of Leeds where she works on early medieval England and the medieval modern. Her most recent publications include Imagining Anglo-Saxon England: Utopia, Heterotopia, Dystopia (Boydell Press, forthcoming 2020), and the edited collection Slow Scholarship: Medieval Research and the Neoliberal University (D.S. Brewer, 2019)
Anna Kłosowska is Professor of French at Miami University. She published Queer Love in the Middle Ages (Palgrave, 2005) and edited Madeleine de l'Aubespine's Selected Poems (Chicago, 2007). She has authored and co-authored numerous articles and book chapters and has edited and co-edited five volumes and special issues of journals, primarily on queer studies, including a currently co-edited volume in progress on Trans before Trans. She currently works on slavery, race, and colonization in medieval and early modern France.
Vincent W.J. van Gerven Oei(opens in new tab) received a PhD in Media & Communications from the European Graduate School and another PhD in Modern Thought from the University of Aberdeen. He is a philologist and the co-director of punctum books(opens in new tab). He is also a specialist in Old Nubian and co-editor-in-chief of Dotawo(opens in new tab). Monographs include A Reference Grammar of Old Nubian(opens in new tab) (Peeters, 2021) and Cross-Examinations(opens in new tab) (MER. Paper Kunsthalle, 2015). His three-volume work Lapidari(opens in new tab) (punctum, 2015)** provides the first complete overview of socialist monumentality in Albania. As a translator, Van Gerven Oei works mostly with anonymous Makuritan Nubian scribes and contemporary authors such as Jean Daive, Hervé Guibert, Werner Hamacher, Dick Raaijmakers, Avital Ronell, and Nachoem M. Wijnberg. His scholarly work has appeared in Afterall, Glossa, The Journal of Juristic Papyrology, postmedieval, and Theory & Event, among other venues.
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Genres
- Cultural Studies+Critical Theory
- Literary Studies
- Premodern
Keywords
- history
- International Medieval Congress
- Medieval studies
- race
- racism