Catalogue All/Anthropocene/Art+Aesthetics/Autotheory/Biosphere/Built Environments/Capital+Lucre/Cultural Studies+Critical Theory/Fabulations/History/Humanities+University/Languages+Translations/Literary Studies/Manifesto!/Media+Technology/Moving Image/Neurodiverse+Crip/New Left Thought/Para-Academia/Pedagogies/Philosophy/Posthumanism/Premodern/Sex/Sound+Noise/Thought Experiments/TransQueer Queer Finitude Writing in the Kitchen with Martha Rosler and Carrie Mae Weems: From Reproductive Labor to the Affective Labor of the Image Alone in the Dark: Cinephilia and the Heroic Imagination Barge Life: On Jean Vigo’s “L’Atalante” Hand Book: A Manual on Performance, Process, and the Labor of Laundry Recovering the Radical Promise of Superheroes: Un/Making Worlds Escape Philosophy A Credible Utopia: Essays on Selected Films of Werner Schroeter Wonder, Horror, Mystery: Letters on Cinema and Religion in Malick, Von Trier, and Kieślowski Still Life: Notes on Barbara Loden’s “Wanda” (1970) Cinema’s Doppelgängers The Event of Art Making a Laboratory: Dynamic Configurations with Transversal Video Critique of Fantasy, Vol. 3: The Block of Fame Critique of Fantasy, Vol. 2: The Contest between B-Genres Critique of Fantasy, Vol. 1: Between a Crypt and a Datemark Television Scales Beta Exercise: The Theory and Practice of Osamu Kanemura Fugitive Traces Everyday Cinema: The Films of Marc Lafia Porno-Graphics and Porno-Tactics: Desire, Affect, and Representation in Pornography Chaste Cinematics Último Dia Todos os Dias The Funambulist Pamphlets 11: Cinema The Witch and the Hysteric The Afterlife of Genre: Remnants of the Trauerspiel in Buffy the Vampire Slayer Último día cada día Last Day Every Day Truth and Fiction: Notes on (Exceptional) Faith in Art
Fugitive Traces