Alone in the Dark: Cinephilia and the Heroic Imagination

Barge Life: On Jean Vigo’s “L’Atalante”

Recovering the Radical Promise of Superheroes: Un/Making Worlds

Escape Philosophy

A Credible Utopia: Essays on Selected Films of Werner Schroeter

Wonder, Horror, Mystery: Letters on Cinema and Religion in Malick, Von Trier, and Kieślowski

Still Life: Notes on Barbara Loden’s “Wanda” (1970)

Cinema’s Doppelgängers

The Event of Art

Making a Laboratory: Dynamic Configurations with Transversal Video

Critique of Fantasy, Vol. 3: The Block of Fame

Critique of Fantasy, Vol. 2: The Contest between B-Genres

Critique of Fantasy, Vol. 1: Between a Crypt and a Datemark

Television Scales

Beta Exercise: The Theory and Practice of Osamu Kanemura

Fugitive Traces

Everyday Cinema: The Films of Marc Lafia

Porno-Graphics and Porno-Tactics: Desire, Affect, and Representation in Pornography

Chaste Cinematics

Último Dia Todos os Dias

The Funambulist Pamphlets 11: Cinema

The Witch and the Hysteric

The Afterlife of Genre: Remnants of the Trauerspiel in Buffy the Vampire Slayer

Último día cada día

Last Day Every Day

Truth and Fiction: Notes on (Exceptional) Faith in Art