Catalogue

ΠCase Files, Vol. 01

Still Life: Notes on Barbara Loden’s “Wanda” (1970)

Cinema’s Doppelgängers

Broken Narrative: The Politics of Contemporary Art in Albania

Siting Futurity: The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna

Between Species/Between Spaces: Art and Science on the Outer Cape

The Event of Art

Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art

Making a Laboratory: Dynamic Configurations with Transversal Video

Complementary Modernisms in China and the United States: Art as Life/Art as Idea

Museum of Nonhumanity

A Manga Perfeita

The Perfect Mango

Sacred Views of Saint Francis: The Sacro Monte di Orta

Post Memes: Seizing the Memes of Production

Air Supplied

Nothing in MoMA

Treatise on the Marvelous for Prestigious Museums

Beta Exercise: The Theory and Practice of Osamu Kanemura

Hephaestus Reloaded / Efesto Reloaded

The Bodies That Remain

Fugitive Traces

Athens and the War on Public Space: Tracing a City in Crisis

Badiou Studies 5: Architheater

Hack the Experience: New Tools for Artists from Cognitive Science

Everyday Cinema: The Films of Marc Lafia

Christina McPhee: A Commonplace Book

Helvete 3: Bleeding Black Noise

Elemental Disappearances

Walk on the Beach: Things from the Sea, Volume 1